Poet and performer Siddhartha Bose delighted the Oxford Centre for Life-Writing on 14 May with readings and meditations on identity, collective memory, and space with readings from his books Kalgora and Digital Monsoon and video clips from his films and performance works.
In an introduction to his wide-ranging and captivating readings, Bose suggested that memory mutates constantly in relation to space, physical environment and the virtual world. Reading poems from Kalgora, he asked whether we live in a world where everyone, regardless of passport, is a foreigner. In a contemporary global environment, he suggested, you can’t write about just one city, but the reflection of cities upon each other and the multitude of things in cities.
Bose shared a range of media with the audience. In a journey for the audience, he began in India with clips from ‘Animal City’, his ethnographic film about Mumbai. A striking excerpt featured a voyeuristic scene: hundreds of people milling around an urban area while a camera hovers above them. The camera goes mostly unobserved: only a few look up at it, their eyes meeting the viewer’s.
Bose also showed a recording of his comic one-man play entitled ‘Thresholds’, depicting a border control gate at a New York airport. This was followed by a video called ‘The Shroud’ about trials of death and mourning, and a recording of live performance of poetry with musicians.
Transporting us back to England, Bose read from Digital Monsoon, a collection of dystopian poems about London. Describing the eerie urban atmosphere of ‘corporate rain,’ ‘paper-strewn streets’, and a ‘concrete island,’ the poetic speaker asks, ‘And who did we build this England for?’
Crossing thresholds of life and death, memory, alienation, distance, subject and other, Sid Bose tantalized his audience with poetic renderings of challenges to identity, subjectivity and genre.
You can read more about Sid Bose and watch clips and trailers for the works discussed here on Bose’ website: http://www.kalagora.com